being goth isn’t about the clothes or the music it’s about ravaging the Balkan Peninsula and Anatolia as far as Cyprus, then sacking Athens, Byzantium, and Sparta.
Hannie Schaft
Jannetje Johanna (Jo) Schaft (16 September 1920 – 17 April 1945), was a Dutch communist resistance fighter during World War II. She became known as the girl with the red hair. Her secret name in the resistance movement was Hannie.Let me introduce y’all to this fierce motherfucker right now - allow me to present HANNIE SCHAFT. DID YOU KNOW:
This suave-ass communist bamf would dress up as a boy and stand in doorways making out with the ladies until some German soldier came along and then she’d kill them in various gory ways.She was kind of too radical for her own resistance group, i.e. they balked when she was like ‘Hell yes I’m going to learn to speak German fluently so I can sleep with (and therefore kill) more Nazis.’
Her last words were ‘Ik schiet beter!’ when her executioner wounded her with the first shot. I SHOOT BETTER. WHATEVER BITCHES, SCHAFT OUT.
The next time you see someone with jewelry that says “trust no man,” don’t judge them for their “man hating” or “bougie” ways. Rather, commend them for their superb taste in music.
“Trust no man” is actually a reference to a reference to a 1926 song of the same name by Gertrude “Ma” Rainey, a Georgian and African-American pioneer of blues music.
I want all you women to listen to me
Don’t trust your man no further than your eyes can see
I trusted my man with my best friend
But that was a bad bargain in the end
A feminist before there was really a term for it, Rainey was also notorious for getting into trouble with small-town authorities over her “women-only parties.” She was a brazen lady-lovin’ badass well-worthy of a 21st century signal boost.
A Book of Hours.
(A Book of Hours is essentially a tiny illuminated manuscript, typically used for devotional content, prayers, or to record the liturgical year and other important dates. It was mostly carried around by women.)
(Source: letmebev)
A lot of people have been asking about Maid Marian, so I figured I might as well give her a shot- a bit tougher when you’re looking at clothing on anthropomorphic animals, of course, but there are still a couple of details that point to the 15th century- the cut of the dress, the ears disguised as a horned hennin headdress, the bag sleeves, etc. I still tried to maintain the relatively simple silhouette of Marian’s dress, just with added period details- making it more of a houppelande by design, and resolving the v-shaped neckline to show the kirtle underneath.
Also really wanted to hide some foxglove motifs in the lining of the gown- it’s subtle, but I think it really ties the whole design together.
See the rest of the series HERE
Read the FAQ HERE
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if you think your family is dysfunctional remember that zeus got a woman pregnant but she burned to death so he rescued the fetus from her ashes and sewed it into his thigh and gave birth to it himself and that fetus is now the god of wine and sexual deviancy god bless
illegal immigrants? you mean white people
except that white people didn’t immigrate into the united states… they funded the united states. you can’t illegally immigrate into a society you created.
did you actually just say white people created society in america
In the pages above and below please find reproductions of Edwin Austin Abbey’s series of fifteen paintings “The Quest for the Holy Grail.” Currently these paintings are incorporated into the Abbey Room at the Boston Public Library. They haven’t, to my knowledge, been reproduced in any print or art book, and I have only found low rez pictures of the full cycle on a single obscure web page.
So, with the help of an intrepid photography student in the Boston area, I had the Abbey Room paintings photographed and applied my fledgling Photoshop skills to the RAW image files. I have posted the results in the following pages, along with a brief description of each of the paintings penned, I believe, by Henry James.
The colors….
What term or terms do you think Tolkien would have used in describing cocks? Do you think, were he to ever write smut, he would have Elessar or Thorin say the word “cock,” or perhaps something different, more flowery, more imaginative? And no I’m not talking “rose crowned wiggler” or anything like that, but something less…oh I dont know, modern. How old is the term cock anyway? :|
‘Cock’ is actually a pretty damn old euphemism. It appears in some middle English poetry as ‘cok’, if that tells you anything. Officially it doesn’t enter widespread use until as late as the seventeenth century, but that doesn’t stop poets and monks as far back as the eleventh century from alluding to the way a fighting-cock’s wattles turn red and stiff during a battle.
Depending upon the character, I imagine Tolkien could have got a lot of variety in his dingdong discussions. Archaic terms for ‘penis’ are not only richly varied but highly regional— see the ‘langer’ in Ireland, or the ridiculous-sounding ‘todger’ in the UK/Australia. And I do believe Tolkien came up with not one, but several Elvish words for penis: gwî for poetic use (elves writin’ porn yeeeah) and gwib for daily use, plus puntl in case you need to contrast two elves’ differing backgrounds. (I don’t believe we have a Noldor ‘penis’, but having variety in slang is always good for characterization.) [Source]
As for the dwarves, I have shamelessly used Khuzdul-sounding English terms like pud and lome (fifteenth-century slang referring to a ‘loom’). I can also see the dwarves using terms like ‘tool’ and ‘shaft’ much more readily than most other races, since they are workin’ dudes.
Humans can go with damn near anything. I prefer to give them more modernized, recognizable terms for ‘penis’, since we’re supposed to share genetic material anyway and we might as well communicate with each other. (And by ‘modernized’ I mean ‘sixteenth century or later’.) ‘Cock’, ‘prick’, ‘tool’, and perhaps ‘dick’ all work here. (If you’re not writing erotica, ‘pizzle’ and ‘piece’ are common terms. We’re also now treading on Shakespearean grounds, where spontaneous euphemism has become much more widely bandied and recognizable.)
Hobbits are a little tricky. On the one hand, the roly-poly provincial way Tolkien portrays his hobbits makes me shrug and think, okay, ‘todger’ it is. On the other hand, I don’t particularly want to write all my hobbits as shy violets who use polite euphemisms for everything. So lately I’ve been trying out some of the simpler archaics: ‘pin’ (or ‘pyne’), ‘yard’ (as a stick, a unit of measure), ‘stud’, and (of course) ‘cock’. (Most of these are farming terms, too, which fits with the style of the hobbits.)
I just like cock, okay? *shrug*
A few more archaic curiosities: ‘erection’ often becomes ‘pride’, ‘stand’ (as in ‘cockstand’), or even ‘tend’ (from the Latin for ‘stretch’); ‘cod’ is often used in preference for the scrotum rather than the entire external male genitalia, thus ‘codsack’; and the further back you go, ‘balls’ becomes ‘bollocks’ becomes ‘ballocks’, and also ‘baubles’, ‘knappes’, ‘cullions’ from ‘sceallan’ (shells), and ‘herthan’ (with the ‘herthan-belig’ or testicle-purse). Feel free to Tolkienize the most archaic terms— the -an ending denotes a plural, so change it as you see fit.
One of the best sources I can give you is this excellent book, the sample of which should keep you writing archaic smut for ages before you even consider buying it (which I suggest, if you like these things). I have used it gratuitously here as a source.
Thanks for the interesting question, by the way— and, uh, sorry for sprawling it out into an essay. You might say my answer became… engorged.
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Shy Anon revealed.
Thank
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DUDE YOU ARE AWESOME.
(via nolikereally)
Love this, thank you! Culture is definitely something that should be taken into account. I totally think Dwarven sexual slang would be full of mining and forging and crafting imagery, while the hobbity version would be more agricultural and taken from the natural world. (They absolutely would use “cock” - they have chickens, don’t they?) I think both are rather earthy races who probably have a colorful and varied vocabulary.
Would Tolkien have ever used slang if he ever wrote a sex scene (which he didn’t)? Probably not - but that doesn’t mean his characters wouldn’t! By his own conceit, he was a historian and a translator, and one who didn’t see fit to record such matters. I think, as subcreators, fanfic writers are free to write their own “histories” and “translations” in a different style if they choose, and shine light into the bedchambers, where people generally don’t talk the same way they might at the Council of Elrond.
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Why can’t I favourite this more than once.
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i didn’t want or need to know any of this information but i’m SO GLAD I READ IT ANYWAY. thank you!!!
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EVERYTHING ABOUT THIS IS BEAUTIFUL AND WONDERFUL AND I FUCKING LOVE THIS WEBSITE.
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(Source: noforreally)
think about the concept of a library. that’s one thing that humanity didn’t fuck up. we did a good thing when we made libraries
(Source: jav-incandenza)
This is stupid so I redrew it
Up in the rice terraces of the Cordillera mountain range of the Philippines live the last few tattooed women of Kalinga. Traditional tattooing is seen as archaic and painful by the younger generations of Kalingas. As an Indigenous group that has successfully fought against colonizing forces, it is losing the practice of traditional tattooing because of the changing perspective of beauty and interpretations of the practice by outside scholars.
Studies on the tradition interpreted the practice to show that men were given tattoos because of brave acts during tribal wars while the women were given tattoos just to decorate their bodies. Men who attempt to get traditional tattoos without acts of bravery are shunned by the community and are now unable to continue the practice without facing criminal charges from the government. Women are unconstrained by the same reasons but are struggling to continue the practice because of the pervasive western interpretations of aesthetics that changed the perceptions of “beauty” in Kalinga. To the women of Kalinga, the batok or the tattoo goes beyond beauty and prestige but it is symbolic of the traditional values of women’s strength and fortitude.
The traditional tattoo is an indigenous body art, an expression of the psychological dimensions of life, health, love and it defines local perceptions of existence. Sadly there is now a decline of the traditional art among indigenous women brought about by the changing perspective of the meaning of the tattoo and its stigmatized practice. It is now considered a vanishing art along with the gatekeepers of the knowledge associated with it.
The Last Tattooed Women of Kalinga by Jake Verzosa. Jake Verzosa is a freelance photographer based in Manila.
Just stunning
THE ARCHAEOLOGY OF A DRESS
Restored dress as worn by Ellen Terry in her 1888 portayal of Lady Macbeth.
“When Ellen starred alongside Henry Irving in Macbeth in 1888, there was not a wide choice of fabrics available in England, and Alice could not find the colours she wanted to achieve her effects. She wanted one dress to ‘look as much like soft chain armour as I could, and yet have something that would give the appearance of the scales of a serpent.’ (Mrs. J. Comyns Carr’s ‘Reminiscences’. London: Hutchinson, 1926) Mrs. Nettlship found a twist of soft green silk and blue tinsel in Bohemia and this was crocheted to achieve the chain mail effect.
The dress hung beautifully but: ‘we did not think that it was brilliant enough, so it was sewn all over with real green beetle wings, and a narrow border in Celtic designs, worked out in rubies and diamonds, hemmed all the edges. To this was added a cloak of shot velvet in heather tones, upon which great griffens were embroidered in flame-coloured tinsel. The wimple, or veil, was held in place by a circlet of rubies, and two long plaits twisted with gold hung to her knees.’

